By: Christine Stevens, MSW, MA, MT-BC
Population Served: Others
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Clair, A. A., Bernstein, B. (1990). A comparison of singing, vibrotactile and nonvibrotactile instrumental playing responses in severely regressed persons with dementia of the Alzheimer's type. Journal of Music Therapy, 27, 119- 125.
Clair, A. A., Bernstein, B. (1993). The preference for vibrotactile versus auditory stimuli in severely regressed persons with dementia of the Alzheimer's type compared to those with dementia due to alcohol abuse. Music Therapy Perspectives, 11, 24- 27.
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Gordon, H.W. (1978). Left hemisphere dominance for the rhythmic elements in dichotically presented melodies. Cortex, 14, 58-70.
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Mattingly, R. (1995). The unifying power of hand drumming. Percussive Notes, 33,. 8-20.
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Meyers, C. (1993). The drum-dance-song ensemble: Women's performance in biblical Israel. In. K. Marshall (Ed.), Rediscovering the muses: Women's musical traditions, (pp. 49-67). Boston: Northeastern University Press.
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O'Boyle, M. W., & Sanford, M. (1988). Hemispheric asymmetry in the matching of melodies to rhythm sequences tapped in the right and left palms. Cortex, 24, 211-221.
Redmond, L. (1992). Ritual Drumming (Videocassette). Brattelboro, VT: Interworld Music.
Redmond, L. (1996). A short history of the frame drum. Percussive Notes, 34, 69-72. Redmond, L. (1996). The history of the frame drum, the oldest known drum, from 5800 BC to 1400 AD. Paper presented at the meeting of the Percussive Arts Society, Nashville, TN.
Ricci, C. (1993, November 3). Drumming for the 90s: Much more than a beat. The New York Times, p. C1.
Slotoroff, C. (1994). Drumming technique for assertiveness and anger management in the short-term psychiatric setting for adult and adolescent survivors of trauma. Music Therapy Perspectives, 12, 111-116.
copyright © 2000 Christine Stevens